Writers' Corner |
To recap, three basic points of view exist: first person, third person, and omniscient. Select one POV and stick with it. You can access the archives for an in-depth look at each.
Within these, the writer must choose a character point of view (POV) to drive the scene. If you want to change character POV, move on to another scene. Take a look at this example from last week. I’ve inserted an error. See if you can spot it.
“Have some
juice.” John extended the orange juice pitcher.
Brenda didn’t
want juice. In fact, she didn’t want to be sharing a table with someone who had
betrayed her. Besides, she hated orange juice. And he knew it. Probably the
reason he offered it. “No, thank you.”
John thumped the
pitcher on the table, sloshing the juice over the top. Heat spread through his
chest like wildfire when he thought about the times he’d tried to please her
without success.
“Now you’ve done
it.” Brenda reached for a dishtowel. “If I’ve told you once, I’ve told you a
million times.”
“You’ve told me
what?” John scowled over his forkful of eggs.
“Clumsy.” Brenda
returned his scowl and reached for her fork. If she tried hard enough to ignore
him, maybe he’d take the hint and disappear. For good.
####
We established last week that
this scene is told from Brenda’s POV. However, the way I’ve rewritten it,
Brenda is also a mind reader. Let’s take a look at the third paragraph.
John thumped the
pitcher on the table, sloshing the juice over the top. Heat spread through his chest like wildfire when
he thought about the times he’d tried to please her without success.
Brenda couldn’t have known the
highlighted portion about John. I head-hopped into John’s thoughts, which
detracts from the scene. Instead, I should have ended Brenda’s thoughts and
wrote another scene, if I wanted to share John’s thoughts with my reader. Here’s an example:
John gulped his
oatmeal. The lumpy mixture went down like a pallet of rocks. Didn’t this woman
know how to cook anything else? He glanced at her chomping through her toast
and oatmeal like a bulldozer. Wouldn’t do to ask for a bowl of cereal instead.
“Got plans for
today?” Her eyes bored through him like a woodpecker on a fresh branch.
“The usual.”
John didn’t want to spoil his surprise. He’d asked Cindy Martin to help him
pick out an anniversary present. If Brenda only knew how much he cared—maybe it
would change things between them.
“The usual? Does
that include another date with Cindy Martin?”
The oatmeal
lodged somewhere deep in his esophagus, sending a dull, throbbing ache through
his chest. A date? This woman was nuts!
####
Though very basic, hopefully, the
preceding scenes have helped illustrate the differences between the characters’
POV.
Obviously, scenes are much longer
than this. You won’t write a dozen little scenes within a chapter. Two or three
long scenes are plenty. Make sure the main character gets the most scene time
since it’s his/her story. If you have any other questions about POV, please feel free to leave a comment. Also, I’d love to hear any suggestions for future writing topics.